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Data journalism academy sets to work

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Journalist Raymond Joseph addresses some of the first fellows at the data journalism academy

The doors opened, and the first Fellows came along. The data journalism academy at Code 4 South Africa is now up and running.

Day one saw participants explore some of the data tools available including the impressive Wazimap which takes census data to a new level and provides journalists with embeddable graphics as well as new insights into geographies and demographics.

Likewise, People’s Assembly which allows for in-depth connections to data about elected representatives.

The activity at the Academy is now also being detailed via social media with a dedicated Twitter stream
@Code4SAJourn and on the Facebook page: www.facebook.com/code4sajourn.

* This is a School of Data initiative kindly sponsored by Omidyar Network, Code for Africa, Knight Foundation and the Indigo Trust.

Written by sarahhartley

February 2nd, 2016 at 7:45 am

Launching a data journalism newsroom in South Africa

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Yes it’s an empty room with an odd assortment of chairs. But not for long. This unassuming space is about to be transformed into a fully functioning newsroom.

Journalists from multiple news organisations will soon be at work here, digging, delving and mining for some of the most important stories to come out of South Africa.

The location is Code 4 South Africa‘s base in Cape Town where we’re working with the soon-to-launch Data Journalism Academy – Africa’s first bricks and mortar school.

There’s so much going on behind the scenes here it’s dizzying – building a new online presence, compiling training materials, bringing in tutors and participants from around the globe, setting up social media channels and more.

I’ll blog here some more over the next couple of weeks as everything gets up and running.

* This is a School of Data initiative kindly sponsored by Omidyar Network, Code for Africa, Knight Foundation and the Indigo Trust.

 

Written by sarahhartley

January 27th, 2016 at 2:50 pm

The un-launching of a journalism platform

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The past week has all been about the winding down of contributoria.com – or ‘un-launching’ as I’m starting to think about it following the closure announcement.

Just like ‘launching’ a new online product or platform, ‘un-launching’ requires a surprisingly similar checklist of tasks.

The difference being, there isn’t the excitement of anticipation or the adrenaline rush of getting those final details ready and nervously sending it all out into the world – there really is nothing quite like launching for an all consuming experience!

No, with un-launching, there’s just the tasks.

My overriding priority has been to make sure everyone involved in writing for the site is paid up to date. All the writer payments for published articles are in the system and being ably handled by the Guardian’s accounts people.

Additionally, arrangements have been made separately for those writers who would have been commissioned had the site published as usual in October.

There’s been a lot of enquiries to answer from people involved in the site.

There’s been press statements and interview requests to deal with.

And there’s been an awful lot of people to thank as Contributoria had many friends and supporters who helped us massively over the past two years. (I think I’ve just about finished that….apologies to anyone who feels that I’ve missed them out.)

I’ve paid tribute to some of the amazing group of 5,000 writers with a last post highlighting some of their excellent work on the Contributoria Medium collection here today.

Plus I’ve attempted to bring together some of the reaction across social media and other publications to keep a record for the future in the Storify below.

That is, I think, all folks. Thanks for being part of it.

Written by sarahhartley

September 4th, 2015 at 1:52 pm

Ten things learned at Thinking Digital

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1. The rest of the world is working less hours and eating more regular meals than I do.
The claim by Holly Goodier of the BBC that only 10% of the UK are at work at 6pm and that the majority of people eat their tea at 5pm was treated with much scepticism across twitter.

 

2. That some of the most important innovations happen via unsexy old technologies.
A timely reminder from both Ken Banks that the old and trusted technologies such as SMS and solar panels continue to have vital, even life-saving applications. But that new technologies, such as drones are proving valuable. In a separate session, Patrick Mier demonstrated their application in humanitarian work.

3. Getting the multi million investment deal is the start if a whole lot more Hassle…..
Being involved in start-ups (this and now this) means spending a lot time, thought and energy attempting to attract THE ONE, that investor which means hires can happen and those growth charts boom. But UK entrepreneur of the year Alexandra Depledge brought some no-nonsense experience to the matter revealing that, after raising $6m (and crying), she knew it would lead to yet another round and even more challenges to face.

4. Everyone seems to want to be ‘the Uber of something’

5. Artificial intelligence probably won’t mean a humanoid army coming to destroy us. (Unless the speakers were actually sent by robot overlords to mislead us, of course). Instead they may save our lives by entering our bodies to treat our ills with robotic surgeons and implated devices as Dr. Catherine Mohr explained.

6. Sounds unlikely, but Live coding on stage is actually a good performance. Or at least it was when Sam Aaron And Seb Lee-Delisle did it. Seb used his demo to show a tiny part of what was involved in creating this incredible digital firework display.

PixelPyros official video from Seb Lee-Delisle on Vimeo.

7. The dropping of letters from words still has an irresistible particle pull on start-ups seeking names for their companies. Looking at you start-up competition finalists Bristlr and Skignz.

8. We are all data slaves Jennifer Morone.
One woman’s answer – to incorporate herself and exploit those resources. Everything she is biologically and intellectually, everything she does, learns or creates has the potential to be turned into profits.

Jennifer Lyn Morone, Inc from jennifer morone on Vimeo.

9. Journalism needs to take a long hard look at how useful, valuable and beautiful the data visualisations it produces are.
Stefanie Posavec made our reliance on big numbers and charts look prehistoric with her visualisations.

(Pr) Stefanie Posavec from Protein® on Vimeo.

10. Finally I have an answer to why my electricity bill is so much higher than I think it should be.
Andy Stanford-clark has the house that tweets – he has wired up just about everything that can be measured and collects huge amounts of data from that. On analysing it, he discovered (among many more things) that leaving three laptops on standby costs a whopping £120 a year.

Written by sarahhartley

May 22nd, 2015 at 10:29 am

A look at the training we’ve been doing in Cape Town #mediaCT

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Written by sarahhartley

February 18th, 2015 at 1:12 pm

Ten tips on using Contributoria to fund your journalism

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Contributoria member Raymond Joseph recently wrote this list of tips to help follow members of the South African freelance community get the most out of Contributoria.com. I though they were well worth a wider airing so, with his permission, I’m blogging them here too.

If you’ve any further pointers that you’d like to add, do fee free to add them into the comments or drop me a line.

You can also follow the progress of Ray’s article here – members can collaborate with it too.

1. Loads of people pitch ideas for Contributoria, but not all get enough support to be commissioned. So, since the crowd gets to decide what to support – and therefore what is published – it’s important to actively market your pitch via social media and other networks, to garner support;

2. The story needs some general appeal to ensure enough people want to read it and, therefore, support it

3. Support one another. Lots of people whose pitches I’ve supported in the past returned the favour and supported me in return.

4. While the free points option means anyone can lend their support, as a writer and beneficiary, I feel it important to put something back. Therefore, have taken out a paid for £2 (around R40) a month membership, which I can cancel very easily on the site at any time. This gives me 250 points – rather than 50 for the free sub, so I can share the love far wider. (There is also a £6 sub that gives you 500 points to distribute, as well as some other benefits).

5. Don’t be greedy, since the higher you set your fee, the more points you need to garner. And always explain what your fee will be used for – other than paying you- especially if you are asking for a high fee. (Average fees appear to be around £350-400). So if there are additional costs, like travel, a photographer etc, say so in your pitch.

6. You keep copyright and control of your work and publication in Contributoria should be seen as a beginning, not an end. While they actively market work published on the platform and seek further sales (for which they take a commission), you too should be marketing and trying for further sales. My mantra, as some on Southern African Freelancers’ Association (Safrea) would have heard over the years, is “One story, many sales” – i.e. the first sale should cover your costs and ensure a decent profit. Everything after that is “cream” and it’s the reason why we must defend our copyright ruthlessly and charge for any – and all – additional usage. So just like we are paid for print, so should we insist on payment for online. And if a publication doesn’t want to pay for online use, exclude it when you sell your story.

7. At the moment only one picture can be added to an article but work continues to improve the platform so that more pictures can be published. Using a picture can help attract attention to your story.

8. Always remember to say thank to people who have supported you – and make sure they get to see the finished product.

9. There is an area for a biography so writers should complete that to let potential backers know who you are, your background and other work.

10. Add a profile pic. Not only does it help people put a face to a name, it also helps them to recognise your work across other platforms and social media.

* If you are Cape Town based and working on journalism or coding for social good, you might be interested in some of the media training Ray and I are carrying out in February. We are running workshops on advanced social media, storytelling and working with media organisations. If you are interested in finding out more, please drop an email to dimsumdigitalATgmail.com mentioning your project or organisation.

Written by sarahhartley

January 13th, 2015 at 12:32 pm

Things I learned about crowdfunding journalism in 2014

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2014 has been the year of crowdfunding for me. To inform my work helping to make the best possible experience for writers on the Contributoria* network, I’ve undertaken various experiments across the sector.

As well as asking for support for pieces of my own journalism, I’ve backed other people’s work using four sites – Kickstarter, my own Contributoria, Crowdfunder and Beacon Reader. This is a personal account of what I’ve found as well as some important insight from people who have been successful.

Different approaches

The current crop of crowdfunders offer uniquely different solutions to the problem of bringing together multiple funders for journalism. Of the platforms I concentrated on, Kickstarter approaches it to fund projects, work which has a specified timescale; Crowdfunder is aimed at community projects; the Contributoria community funds individual articles on a monthly basis and Beacon Reader makes it about supporting a person in whatever they choose to write about, as well as some projects.

Kickstarter

I supported one Kickstarter journalism project in the year – Eliot Higgins’ Bellingcat for investigative citizen journalism which raised £50k+.

He was lucky to win early support from a BBC producer who volunteered to make the striking and professional video which fronted the campaign, and then he plunged in. I asked him about the experience:

“I had three weeks to put together a Kickstarter. I went to a professional campaign management company in New York and they helped me put it together. A lot of the money was for costs I’d already spent and then 20% went to campaign team and 8% to Kickstarter so that was a big chunk and then there was the money I’d already spent on the website. If I ran it again it would be for a much smaller amount because I wouldn’t have those costs now.”

Rewards
The first thing to notice about the Kickstarter experience is the idea of layers of reward. I was unreasonably pleased to receive my Bellingcat T-shirt as well as special access to a non-public part of the site as a thank you for my cash.

But while T-shirts is a fairly standard offer, the idea of exclusivity prompted some difficulties for Eliot in getting a coherent message across.

“I was advised by the crowdfunding campaign people that I should keep the Bellingcat site closed and only for people who were donating until the end of the campaign. Unfortunately that’s led to some people believing it is subscription-only even though it’s an open website and created that wrong impression in some people’s minds.

“Crowdfunding is also a hugely stressful way of having to do something, when you are working by yourself especially. I was getting all sorts of interviews for the promotional work and found it hard to do the work needed to do the stories for the content to actually go on the site at the same time.”

Crowdfunder
The hyperlocal publication, A Little Piece of Stone used the UK based Crowdfunder for its campaign to raise a £15,000 target to improve its website and found that people responded to meet 75% of that by the Friday of week one.

Despite the town of Stone being a very small place, site publisher Jamie Summerfield reached out using social media and other platforms to widen the potential funding net.

As he posted at the Community Journalism blog, early on in the process, he also found that promotional aspect hard work:

“I don’t think it’s something to be entered into lightly. Crowdfunding requires a huge amount of effort, as we’re discovering! I hadn’t anticipated the amount of work required just to get your campaign to the start line. But if you get it right, and you can get the support of your audience (as I hope we’ll be able to do) then a successful campaign is a wonderful platform to galvanise support and move towards sustainability.”

Unlike the system at Kickstarter, as a (very small) funder, I didn’t feel quite as involved in the process using Crowdfunder. Once I’d paid the money and been thanked, that seemed to be about it for involvement so I’d be interested to hear if others’ experiences of the site differ.

Contributoria
Like many Contributoria members, I am both a funder and fundee on the platform. (Please note, I have chosen to donate any fees earned from writing on the site to charity, more than £1K to date).

The writers I’ve backed on the site have received some, or all, of my monthly ‘points’ allocation – a currency all members receive and can spend towards their chosen targets. Those points are then automatically translated into real pounds and pence for the journalists.

As a writer, I have pitched stories which have likewise been backed, or not, by other members of the community. So far they have supported me to write about topics as diverse as the pressures on journalists to sexual exploitation in the LGBT community raising money for the Frontline Fund and Barnardos respectively.

I asked for people’s support on Twitter and Facebook as well as using my subscription newsletter to outline what I was planning to write about and update people on how that was progressing.

Because I didn’t need people’s actual cash – people joining Contributoria get a small amount of points for free – getting the necessary support involved explaining how the system works rather than extracting their credit cards.

Membership on Contributoria does have benefits outside of cash and meant I could receive help and input on my articles as well as, likewise, helping others with their work. This collaborative aspect is so far unique among the crowdfunding sites I’ve used.

Of course, my own use of the site to fund stories doesn’t fully reflect the experience of all the thousands of members, many of whom have earned significantly more from the site and used it to fund travel to places as far afield as Botswana.

The members are worth contacting for further tips and experience if you’re looking to fund your own work at the site and one of them, Jon Hickman, is currently writing about his own experiences of crowdfunding here.

Beacon Reader

When I saw how well Lyra McKee Had done with this site ($11K+) by accessing significant funding for a whole series of articles which investigated a murder cold case in Northern Ireland I chose to support her. This means that $5 has been going out of my PayPal account automatically every month. I don’t have any particular input into what she chooses to publish, I have to trust that she’ll serve up another interesting episode in the story, which she does on a regular basis.

Because the Beacon Reader content is largely behind a paywall for members, I asked her how she’s managed to amass so much interest in her work.

“I genuinely have had a fantastic experience using Beacon – the team bends over backwards for writers, the support you’ll get is literally second to none and they’re always prompt/on time with payments. Like any crowdfunding campaign, though, you need a good video pitch or it’s going nowhere. I was very, very lucky; I had a friend who was a fantastic amateur filmmaker with a £2,000 camera who was willing to help for free and a composer friend who charged me just $100 for a track (and was happy to wait to see if the crowdfunder was successful first).

“I was also very lucky to have a fanbase who had followed my progress with the book via Twitter/my blog and wanted to help any way they could. Basically, I was surrounded by this network of people who were willing to go to the wire for me, even though most of them had never met me. It was humbling. These were the ingredients that made it work. I started off by giving my work away free – blogging, tweeting, Facebooking. I did this for 2-3 years. People grew to like it then they wanted to support me.

“I think this is the part people forget about when discussing crowdfunding; you can’t just ask people for money when they don’t know you (unless you create something that, for whatever reason, goes viral). You have to give them something for free first.

“The one thing I would say – it’s very hard to grow your fanbase when your work is hiding behind a paywall. The Beacon team understood this – if you’re a writer or subscriber who shares a link on Twitter, your followers can read it for free. But I think, in the future, the most effective model will be – and has been – freemium. Take Serial, for example – they asked readers to donate over the course of a week so they could make Season 2. Listeners didn’t need to be coerced or threatened with a paywall – they coughed up. People will pay for stuff they love. If you want them to pay for news, create stuff worth loving and then stick the tip jar out.”

My own experience of Beacon Reader has been rather less successful, so far. After publishing a few articles to what felt like an empty room being behind the paywall, I did start a project with the US site based on a family mystery I’d be interested to investigate further and which I felt could end up revealing some wider international intrigue.

I’d asked for a fairly small amount of money – $2,000 for three months work which included travel and several multimedia pieces as well as a few feature length articles.

It was a shock when the site organisers suggested I send out 500 personal emails to garner support for it. And it was here that I also ran into some cultural issues – the people I started approaching were members of the family and extended circle. They were mostly older British people and found my approach odd to the point of rude.

Feedback came through saying they felt as if they were being involved in a pyramid selling scheme, it was all a bit US and the language of the site too brash for them.

I failed to reach my target (I actually don’t have hundreds of people I could approach for cash, sadly!) and it’s difficult to gain wider traction without more effort than I could muster at the time. Plus I simply didn’t have the time to make a video – in hindsight that looks to have been a key driver for both Lyra and Eliot.

That said, I am continuing with the site, just approaching it in a rather more gentle manner to see if I can build it up over time. Feel free to follow me here. (And I couldn’t agree more with Lyra – the staff at Beacon are extremely helpful and encouraging for anyone wanting to dip their toe.)

Conclusions
So there we are, a year of crowdfunding journalism viewed from both sides of the fence. If you are looking to crowdfund work, or support others doing so, in 2015, I’ve come up with these five takeaways in summary:

1. Understand the different site offers
It’s well worth investing some time considering all the different options – ask yourself what it is that’s being funded, i.e work, person, project? How does the platform work? Does the language used on the site fit with your personal style? Will the demands fit in with your other activities?
Ask someone who has been successful on the platform how they feel about the site, how accessible the people behind it are and whether they can offer any advice for a newbie.

There’s a good list of further sites with summaries of their own particular approaches here at Journalism.co.uk.

2. Consider the timeframe
Some sites offer a quick turnaround on funding decisions (Contributoria is in calendar months) others rely on longer-term effort to establish a presence as Lyra did with Beacon. There’s also some psychology with timing in terms of when to pitch ideas and how long to run them for – having a shortish, defined timeline makes it easier for potential backers to understand the process and feel an urgency to get behind the call for action. If you’ve ever undertaken a sponsored swim, run or similar, these sort of behaviours will sound familiar.

3. You will need a properly planned strategy
Plan all the activity out ahead of making the call for funding. Things you need to think about include the milestones for the project or stories, what is going to happen/when, the promotional activity, how/where the backers will be involved, how long is the relationship to be, what do you want from backers other than cash, etc. etc. Once the call for funding is live, it will be a juggling act to deliver on your part of the promise while also promoting the need for funding. A full content and activity calendar planned out in advance will be a great help plus allow more time than you think strictly necessary to explain what you are doing – I soon discovered that even the term ‘crowdfunding’ is largely unknown outside of the tech/digital world.

4. Social media alone will not work
BUT social media is incredibly important. As with the launch of any content driven project, having a documented content plan for your social media channels will help you target the message appropriately.

Video proved to be the clinching thing for two of the projects I’ve mentioned here so, depending on your choice of platform, might be worth investing time with.

Simply asking for cash is unlikely to hit the spot outside of family and friends but being inventive with social media to offer specific interest points to your followers or rewards such as exclusivity, picture access or merchandising could support your campaign.

Using newsletters and other platforms such as blogs and LinkedIn can also help widen the net of potential backers and find people who might be interested in investing.


5. Get ready to work hard.

If you haven’t already realised this from the experiences I’ve detailed here, you’ll need to be prepared to work hard! Sadly crowdfunding doesn’t simply mean exposing your brilliant idea to the world and waiting for the cash to flow in, it does require planning, a certain amount of marketing nous and a little pinch of cheek. You’ll need to allow enough time to undertake it properly and approach it as a job of work for the maximum success.

Good luck and remember, what goes around, comes around so why not give a little to learn a lot.

These are my personal reflections on using crowdfunding for journalism – I’d love to hear yours. Please do feel free to share via the comments below or on Twitter.

Happy New Year!

* Disclosure: I am editor and co-founder at Contributoria.

Written by sarahhartley

December 31st, 2014 at 4:50 pm

Contributoria in 2014: What writers want for Christmas

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As the year draws to a close, looking back to how things have played out is a regular concern for many and media folk could be accused of being especially  absorbed in reviewing the year that was.

At Contributoria we recently released the figures on the right of this page to do just that, take stock of what’s felt like a remarkable first year for the independent journalism network myself, Matt and Dan launched into the world on January 1 2014.

Only in existence for a year and already it seems like a lifetime ago we won that Google IPI News Innovation Contest with the basic idea for its prototype.

But, exciting as they are, the stats only tell part of the story. Behind those blunt measures, there’s been plenty of conversations, plans and dreams too. And for me, a major pre-occupation throughout 2014 has been thinking about ‘what journalists really want.’

The easy answer is to say, ‘proper financial recognition’ and of course, money is always going to be an issue. But once the payment question is out of the way, what then? What really matters every day?

Measure of everything

Publishers spend plenty of energy working out metrics and measures for just about everything – page views, dwell time, shares on social platforms etc. etc. and that’s great to get a feel in aggregate but, what really gets a writer fired up?

I don’t know m/any journalists who get out of bed in the hope that the shareholder will get a better return on their news org’s holding! Without being puffed up about it, didn’t we all get into this to ‘change the world’ in some small way?

Looking for common threads running through the work of many of the Contributoria writers, a really important outcome would seem to be around the impact their work has, its influence.

And that’s one of those things that’s hard to measure despite being easy to spot when it does happen.

Stories with impact

We saw this recently with the startling piece by Harry Vale who wrote about his first hand experience of working in a High Street bookmakers.

It was one of those pieces of writing that couldn’t be ignored – it screamed, snarled, swore and spat in the faces of those who think having access to gambling machines on every poverty-hit spew-splattered street corner is acceptable.

To date its been widely read and shared from the Contributoria site; prompted complaints to the Gambling Commission (the Confidential intelligence line is at 0121 230 6655 if you feel moved to do that too); been read and tweeted by campaigning MP Tom Watson and featured on the primetime BBC Radio 2 Jeremy Vine Show (last Friday if you want to listen again).

Harry’s on his way to writing the second instalment just now and my gut feeling is that this still has some way to play out. Follow what happens next here.

Perhaps another interesting measure of influence can be seen in the global reach and appeal of a story and the places it travels. We’ve seen this many times over the year and do our best to help writers track what happens after their articles are published under a Creative Commons non-commercial share and attribution licence.

Rich McEachran’s piece on the feasibility of eating insects was one such piece. While it was a popular read here in the UK – where we’re seemingly happy to eat bacteria-filled chicken but wince at the idea of grubs – it also had resonance in parts of the world where eating insects isn’t quite so taboo.

The topic was such a good talking point for South Africans that the Big Issue magazine there used the story for its cover issue – and sold out.

The Big Issue in South Africa

As well as the arresting image, the editors there provided a useful recipe and asked ‘crickets or beef?’, providing an informative nutritional breakdown.

I asked Rich about the article’s popularity:

Some people don’t like to be told what to eat, but they do like to be intrigued. Others are concerned about the environmental impact of their meat consumption … I guess the article has been popular with both camps because, even though the thought of eating insects is yuckish, the idea that we could all be consuming them in the form of cookies and tortillas, snack foods that we love, made from cricket flour, makes us want to taste them and find out more. Well I do anyway.

Back in July, two of the Contributoria writers, Jen Wilton and Liam Barrington-Bush travelled to Spain to find out more about the unusual town of Marinaleda. They couldn’t have known as they packed their passports just how that story would mushroom into publications around the globe, including:

  • Truth Out (1,900 Likes)
  • Yes! Magazine (1,500 Likes)
  • New Internationalist (1,000 Likes)
  • ROAR Magazine (1,000 Likes)
  • openDemocracy
  • The Ecologist

and then last month it was translated into Portuguese and published in Brazil.

I wondered if they could explain the huge success of that article. Liam said they both felt it had something to do with the positive message expressed:

“Lots of progressive press can be as guilty of just writing more and more stories highlighting the bad stuff out there (with good cause), but which can have a really demoralising effect on peoples’ outlook. So when alternatives come to light, I think they provide a bit of relief, that the world isn’t as bad as it can sometimes appear from reading the news…”

Here’s to even more of that in 2015!

* If you’d like to join the freelance writers on Contributoria.com and get paid for your original journalism – from anywhere in the world – join us here.
And if you’d like a print edition or e-reader of the best stories from our online issue each month, then you can sign-up for those there too.

Written by sarahhartley

December 18th, 2014 at 12:42 pm

Posted in Journalism

Tagged with , ,

Mapped: Contributoria stories from October

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Image: Dean Vipond.

 

One of the most inspiring things about working on Contributoria.com has been the global spread of issues and interests our writers have demonstrated.

Here is just a snapshot – this month’s issue mapped, simply touch the image to explore the world of stories.

Although most active in the UK and Europe (not surprising considering that’s where the team is based) the growing community of writers has also been turning their attention further afield.

The global nature of the coverage is something we noticed from day one on the platform and is continuing apace, helping to answer one of our initial aims in starting the site by exposing new writers and stories that might not otherwise emerge.

If I had to pick three personal favourites from this month which show that diversity, I’d suggest taking a look at Naomi Klein: “We’re not who we were told we were” (Canada), Kalashnikovs and cameras on the road to Syrian freedom (Syria) and Who makes the best cup of tea: George Orwell or Douglas Adams? (UK).

The full range of articles from the October issue can be access via the map above or by continent here:

UK

Europe

Americas

Middle East

Africa

Indian subcontinent

Image: Dean Vipond

If you’d like to join the freelance writers on Contributoria.com and get paid for your original journalism – from anywhere in the world – join us here.
And if you’d like a print edition or e-reader of the best stories from our online issue each month, then you can sign-up for those there too.

Written by sarahhartley

October 10th, 2014 at 12:00 pm

Posted in Journalism

Tagged with , , , ,

Collaborating on stories – getting the message out with shareable interactives

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I’ve been experimenting with different ways to get the message out about the opportunity to collaborate on stories I’m working on and came across this neat way to embed multimedia elements into a single picture. Called http://www.thinglink.com, it means you can embed the links to other media (using different styles of icons) and create an easily shareable final interactive image. No code required.

Simply mouse over the image and the buttons to click onto for additional material become visible.

I’m just about to finish this story about a charity working with entrepreneurs in Congo which has been funded by members of Contributoria and so have created this particular image in a bid to spread the word here on my blog, via my newsletter, on Twitter and Facebook etc.

But it’s very easy to see how it could be powerfully applied to a news feature with multimedia elements emanating from a strong picture too.

Written by sarahhartley

September 21st, 2014 at 11:22 am